BERNARD AUBERTIN - verso la 54ma Biennale di Venezia
20 May_30 July 2011

Strictly monocrome canvases, red as fire, glowing painted nails, matches, burns, and still machines, pianos and burned books are the distinctive sign of the work of an artist who, from the encounter with Yves Klein in 1957, finds in monochrome the decisive push for a totally art. It was part of the 60s of the Zero Group in Dusseldorf next to Heinz Mack, Otto Piene and Günther Uecker, who contacted Piero Manzoni and Lucio Fontana. His works are located just to name a few: Center Georges Pompidou, Paris National Museum of Art Contemporain de Lyon, Düsseldor Museum, Museum Ritter (Germany), Kunsthaus Zürich, Jesus Raphael Soto Museum (Ciudad Bolivar), Museo Pecci (Prato).